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  3. Bez svidetelej (Without Witness)

Bez svidetelej (Without Witness)

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Bez svidetelej (Without Witness)
Studio
Type de média audio
DVD PAL + NTSC , zone : ALL
Des mesures
190/140/20
Année de publication
Année de film
Durée - heures:minutes
1:30
 
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Inspiré de la pièce de S. Prokofiéva «L’entretien sans témoins».
Irina Kouptchenko («Femme seule désire rencontrer... ») et Mikhaïl Oulianov («Le tireur d’élite») dans une comédie un peu triste de Nikita Mikhalkov («Le soleil trompeur») relatant l’histoire d’un couple d’ex-conjoints qui ont du mal à se comprendre. Il faut dire que l’interprétation de ces deux comédiens est vraiment magistrale! La mise en scène est très originale car on a l’impression d’assister à un spectacle théâtral. Il faut y ajouter une belle formule dramaturgique des auteurs du film: l’intrigue se déroule très lentement au début du film pour déferler en torrent vers la fin où le dénouement demeure imprévisible...
Un soir LUI fait un saut chez son ex-femme et apprend qu’ELLE s’apprête à épouser son vieil ami à lui, en l’occurence celui qu’il a perfidement calomnié à l’époque. Par peur d’être dévoilé, LUI exige qu’ELLE renonce à son bonheur personnel. Son «atout» principal est son fils qui ignore toujours qu’en réalité elle n’est pas sa mère natale. Fort soucieuse de ne pas le choquer, elle finit par renoncer à l’homme qu’elle aime…
Based upon S. Prokofyeva’s play “A Conversation Without Witness”. Irina Kupchenko (“Lonely Woman Seeks Lifetime Companion”) and Mikhail Ulyanov (“The Rifleman of the Voroshilov Regiment”) in a sad story directed by Nikita Mikhalkov (“Burnt by the Sun”) about two people who once loved each other. The actors’ brilliant performance makes you hang on every word. As astonishing is the direction: you feel as though you watch a theatre production. Plus an interesting directorial way of presenting the information and unfolding the action – gradually and smoothly in the beginning, and like an avalanche in the end. The outcome remains unpredictable until the very ending…One night He paid a visit to his ex-wife and found out that She was going to marry his old friend, whom he had once slandered. Wary of exposure, He demands that She should deny herself a personal happiness. His trump card is their son who doesn’t know that She is not his biological mother. For the sake of the son’s peace of mind, She gives up her lover… You can choose subtitle language, but you can’t switch subtitles off.
(Suom. Ilman todistajaa) Pohjautuu S. Prokofjevan näytelmään « Keskustelu ilman todistajaa ». Surullinen tarina kahdesta ihmisestä, jotka kerran rakastivat toisiaan. Mies käy ex-vaimonsa luona ja saa tietää, että tämä aikoo mennä naimisiin miehen vanhan ystävän kanssa, jota mies kerran parjasi. Paljastumisen uhalla mies vaatii, että nainen kieltää itseltään onnen. Valttikorttinaan hänellä on heidän poikansa, joka ei tiedä naisen olevan hänen biologinen äitinsä. Pojan mielenrauhan takaamiseksi nainen luopuu rakastajastaan... Loistava näyttelijäntyö ja erikoinen ohjaustyyli tekevät elokuvasta jännitysnäytelmän, jonka loppuratkaisua ei pysty arvaamaan. Teksityskielen voi valita, mutta tekstitystä ei saa kokonaan pois.
Based upon S. Prokofyeva’s play “A Conversation Without Witness”. Irina Kupchenko (“Lonely Woman Seeks Lifetime Companion”) and Mikhail Ulyanov (“The Rifleman of the Voroshilov Regiment”) in a sad story directed by Nikita Mikhalkov (“Burnt by the Sun”) about two people who once loved each other. The actors’ brilliant performance makes you hang on every word. As astonishing is the direction: you feel as though you watch a theatre production. Plus an interesting directorial way of presenting the information and unfolding the action – gradually and smoothly in the beginning, and like an avalanche in the end. The outcome remains unpredictable until the very ending…One night He paid a visit to his ex-wife and found out that She was going to marry his old friend, whom he had once slandered. Wary of exposure, He demands that She should deny herself a personal happiness. His trump card is their son who doesn’t know that She is not his biological mother. For the sake of the son’s peace of mind, She gives up her lover…
Based upon S. Prokofyeva’s play “A Conversation Without Witness”. Irina Kupchenko (“Lonely Woman Seeks Lifetime Companion”) and Mikhail Ulyanov (“The Rifleman of the Voroshilov Regiment”) in a sad story directed by Nikita Mikhalkov (“Burnt by the Sun”) about two people who once loved each other. The actors’ brilliant performance makes you hang on every word. As astonishing is the direction: you feel as though you watch a theatre production. Plus an interesting directorial way of presenting the information and unfolding the action – gradually and smoothly in the beginning, and like an avalanche in the end. The outcome remains unpredictable until the very ending…One night He paid a visit to his ex-wife and found out that She was going to marry his old friend, whom he had once slandered. Wary of exposure, He demands that She should deny herself a personal happiness. His trump card is their son who doesn’t know that She is not his biological mother. For the sake of the son’s peace of mind, She gives up her lover…
Based upon S. Prokofyeva’s play “A Conversation Without Witness”. Irina Kupchenko (“Lonely Woman Seeks Lifetime Companion”) and Mikhail Ulyanov (“The Rifleman of the Voroshilov Regiment”) in a sad story directed by Nikita Mikhalkov (“Burnt by the Sun”) about two people who once loved each other. The actors’ brilliant performance makes you hang on every word. As astonishing is the direction: you feel as though you watch a theatre production. Plus an interesting directorial way of presenting the information and unfolding the action – gradually and smoothly in the beginning, and like an avalanche in the end. The outcome remains unpredictable until the very ending…One night He paid a visit to his ex-wife and found out that She was going to marry his old friend, whom he had once slandered. Wary of exposure, He demands that She should deny herself a personal happiness. His trump card is their son who doesn’t know that She is not his biological mother. For the sake of the son’s peace of mind, She gives up her lover…
Ирина Купченко («Одинокая женщина желает познакомиться») и Михаил Ульянов («Ворошиловский стрелок») в грустной истории Никиты Михалкова («Утомленные солнцем») о двух людях, некогда любивших друг друга. От блистательной игры актеров невозможно оторваться! Поражает и сама постановка: ощущение, что смотришь спектакль. Плюс интересный авторский ход - сама подача информации и развитие событий: постепенно, плавно в начале, и подобно лавине в конце. И развязка до конца непредсказуема…В один из вечеров Он пришел к своей бывшей жене и узнал, что Она собирается выйти замуж за его старого друга, на которого им в свое время была написана анонимка. Боясь разоблачения, Он требует, чтобы Она отказалась от личного счастья. Главным его «козырем» становится сын, который не знает, что Она - не родная его мать. Ради сохранения спокойствия сына Она отказывается от любимого… Можно выбрать язык титров, но отключить их полностью невозможно.
Irina Kupchenko («Odinokaja zhenschina zhelaet poznakomitsja») i Mikhail Uljanov («Voroshilovskij strelok») v grustnoj istorii Nikity Mikhalkova («Utomlennye solntsem») o dvukh ljudjakh, nekogda ljubivshikh drug druga. Ot blistatelnoj igry akterov nevozmozhno otorvatsja! Porazhaet i sama postanovka: oschuschenie, chto smotrish spektakl. Pljus interesnyj avtorskij khod - sama podacha informatsii i razvitie sobytij: postepenno, plavno v nachale, i podobno lavine v kontse. I razvjazka do kontsa nepredskazuema…V odin iz vecherov On prishel k svoej byvshej zhene i uznal, chto Ona sobiraetsja vyjti zamuzh za ego starogo druga, na kotorogo im v svoe vremja byla napisana anonimka. Bojas razoblachenija, On trebuet, chtoby Ona otkazalas ot lichnogo schastja. Glavnym ego «kozyrem» stanovitsja syn, kotoryj ne znaet, chto Ona - ne rodnaja ego mat. Radi sokhranenija spokojstvija syna Ona otkazyvaetsja ot ljubimogo… Mozhno vybrat jazyk titrov, no otkljuchit ikh polnostju nevozmozhno.