От издателя
Научное исследование рекомендовано кафедрой теории музыки Московской консерватории им. П. И. Чайковского в качестве учебного пособия для студентов и аспирантов консерваторий, музыкальных колледжей, обучающихся по направлениям: музыковедение, исполнительство, композиция, музыкальная педагогика
Теоретический труд профессора С. С. Скребкова посвящен изучению историко-стилистических процессов в европейской музыке с древнейших времен до современности. Концепция Скребкова опирается на самые общие. Стержневые факторы в развитии музыкального искусства. Автор разрабатывает основополагающие принципы объединения музыкального материала, присущие определенному стилю каждой эпохи. Большой интерес представляют анализы произведений классиков строгого стиля. Центральные главы работы посвящены творчеству Монтеверди, Баха, Моцарта, Бетховена, Шопена, Вагнера, Мусоргского.
Книга адресована музыковедам-теоретикам и историкам; может служить также пособием для специальных курсов гармонии, полифонии и анализа музыкальных произведений.
The theoretical work of the professor S.S. Skrebkov is devoted to studying historic - stylistic processes in European music from ancient to modern times. Skrebkov’s conception is based on the most general, fundamental factors of the development of music art. The author works on the basic principles of combining the music material, which is appropriate for a specific style of every epoch. The analysis of the works of the strict style’s classics is of special interest. The main chapters of the book are devoted to the creative work of Monteverdi, Bach, Mozart, Beethoven, Chopin, Wagner, Mussorgsky.
The book is intended for musicologists - theorists and historians. It may also serve as a study guide for special courses of harmony, polyphony and the analysis of music compositions.
The theoretical work of the professor S.S. Skrebkov is devoted to studying historic - stylistic processes in European music from ancient to modern times. Skrebkov’s conception is based on the most general, fundamental factors of the development of music art. The author works on the basic principles of combining the music material, which is appropriate for a specific style of every epoch. The analysis of the works of the strict style’s classics is of special interest. The main chapters of the book are devoted to the creative work of Monteverdi, Bach, Mozart, Beethoven, Chopin, Wagner, Mussorgsky.
The book is intended for musicologists - theorists and historians. It may also serve as a study guide for special courses of harmony, polyphony and the analysis of music compositions.
Ot izdatelja
Nauchnoe issledovanie rekomendovano kafedroj teorii muzyki Moskovskoj konservatorii im. P. I. Chajkovskogo v kachestve uchebnogo posobija dlja studentov i aspirantov konservatorij, muzykalnykh kolledzhej, obuchajuschikhsja po napravlenijam: muzykovedenie, ispolnitelstvo, kompozitsija, muzykalnaja pedagogika
Teoreticheskij trud professora S. S. Skrebkova posvjaschen izucheniju istoriko-stilisticheskikh protsessov v evropejskoj muzyke s drevnejshikh vremen do sovremennosti. Kontseptsija Skrebkova opiraetsja na samye obschie. Sterzhnevye faktory v razvitii muzykalnogo iskusstva. Avtor razrabatyvaet osnovopolagajuschie printsipy obedinenija muzykalnogo materiala, prisuschie opredelennomu stilju kazhdoj epokhi. Bolshoj interes predstavljajut analizy proizvedenij klassikov strogogo stilja. Tsentralnye glavy raboty posvjascheny tvorchestvu Monteverdi, Bakha, Motsarta, Betkhovena, Shopena, Vagnera, Musorgskogo.
Kniga adresovana muzykovedam-teoretikam i istorikam; mozhet sluzhit takzhe posobiem dlja spetsialnykh kursov garmonii, polifonii i analiza muzykalnykh proizvedenij.
The theoretical work of the professor S.S. Skrebkov is devoted to studying historic - stylistic processes in European music from ancient to modern times. Skrebkov’s conception is based on the most general, fundamental factors of the development of music art. The author works on the basic principles of combining the music material, which is appropriate for a specific style of every epoch. The analysis of the works of the strict style’s classics is of special interest. The main chapters of the book are devoted to the creative work of Monteverdi, Bach, Mozart, Beethoven, Chopin, Wagner, Mussorgsky.
The book is intended for musicologists - theorists and historians. It may also serve as a study guide for special courses of harmony, polyphony and the analysis of music compositions.
