Людвиг ван Бетховен (1770–1827) — великий немецкий композитор, пианист, дирижер. Последний венский классик, автор всемирно известных симфоний, оперы "Фиделио", квартетов, тридцати двух фортепианных сонат и множества других сочинений практически во всех музыкальных жанрах.
Бетховен написал пять концертов для фортепиано с оркестром.
Концерт No. 3 до минор для фортепиано с оркестром, op. 37, написан в 1800 году, впервые исполнен самим композитором в 1803 (посвящен прусскому принцу Луису Фердинанду).
Третий концерт Бетховена принадлежит к числу самых исполняемых сочинений этого жанра в мировой музыке. Он создан в ранний период творчества. К тому же 1800 году относятся Первая симфония, шесть квартетов соч. 18, 11-я и 12-я фортепианные сонаты. Основные драматически-трагедийные сочинения композитора еще впереди. Но уже написана, например, 8-я "Патетическая" соната c-moll. Третий концерт, созданный в той же тональности, также предвещает трагедийные концепции зрелого Бетховена. Во многом этому способствует и свойственная композитору тенденция к симфонизации жанра концерта, превращению его из концерта-соревнования в своего рода симфонию с облигатной солирующей виртуозной партией. Эта тенденция нашла более полное и цельное воплощение в бетховенских концертах зрелого периода, а также и в музыке последующих эпох, вплоть до сочинений XX века в этом жанре.
Концерт публикуется в редакции выдающегося пианиста, композитора и фортепианного педагога Эжена Д´Альбера (1864–1932), ученика Ференца Листа, в разное время служившего придворным пианистом Великого герцога Веймарского и преподававшего в Берлинской высшей школе музыки.
Третий концерт Бетховена исполняли многие прославленные пианисты: Артур Шнабель, Соломон Катнер, Артуро Бенедетти Микеланджели, Маурицио Поллини, Клаудио Аррау, Артур Рубинштейн, Гленн Гульд, Эмиль Гилельс, Вильгельм Кемпф, Альфред Брендель…
В концерте три части:
I. Allegro con brio
II. Largo
III. Rondo. Allegro
Издание рекомендуется студентам консерваторий, учащимся музыкальных училищ, колледжей и старших классов детских музыкальных школ.
Ludwig van Beethoven (1770–1827) — is one of the greatest geniuses in the history of classical music. He does not fall into any style, though formally by his musis features it can be attributed to Wien classicism. Beethoven wrote in total 5 Concertos for piano and orchestra and a considerable period of time passed between the first and the fifth resulting in every of them having its own style and its own personality, one could say.
The 3rd Concerto op 37 is an age mate of the XIX century, it is written in 1800 and dedicated to the Prussian prince Louis Ferdinand. It was premiered by Beethoven himself as a pianist and ever since it has been successfully (more or less) played all around the world. This Concerto was written in the early period of his life. The same period witnesses the birth of his first six quartets, 11 and 12th piano sonatas. All the drama and thunder are still ahead. However, the 8th sonata is already written and the choice of the tragic с minor also predetermines the character of the concerto. Forebodings of the mature Beethoven style are in place. This can be seen also from the tendency of ‘symphonizing’ the concept of instrumental concerto, turning the competition into the symphony with the obligatory solo part. This tendency would dominate after his time as it dominates the instrumental concerto now.
The Eugen D’Albert edition of the Concerto is popular until now. Eugen D’Albert (1864–1932) is a pupil of the great virtuoso Ferenz Liszt, he taught in Berlin Conservatoire and served as a court pianist of the Duke of Weimar.
Many great pianists of all times played this Concerto, such as Arthur Schnabel, Solomon Cutner. Arturo Benedetti-Michelangeli, Mauritio Pollini, Claudio Arrau, Glenn Could, Alfred Brendel and many, many others. This edition is addressed to the students of Conservatoire, Colleges and senior music schools pupils.
Ludwig van Beethoven (1770–1827) — is one of the greatest geniuses in the history of classical music. He does not fall into any style, though formally by his musis features it can be attributed to Wien classicism. Beethoven wrote in total 5 Concertos for piano and orchestra and a considerable period of time passed between the first and the fifth resulting in every of them having its own style and its own personality, one could say.
The 3rd Concerto op 37 is an age mate of the XIX century, it is written in 1800 and dedicated to the Prussian prince Louis Ferdinand. It was premiered by Beethoven himself as a pianist and ever since it has been successfully (more or less) played all around the world. This Concerto was written in the early period of his life. The same period witnesses the birth of his first six quartets, 11 and 12th piano sonatas. All the drama and thunder are still ahead. However, the 8th sonata is already written and the choice of the tragic с minor also predetermines the character of the concerto. Forebodings of the mature Beethoven style are in place. This can be seen also from the tendency of ‘symphonizing’ the concept of instrumental concerto, turning the competition into the symphony with the obligatory solo part. This tendency would dominate after his time as it dominates the instrumental concerto now.
The Eugen D’Albert edition of the Concerto is popular until now. Eugen D’Albert (1864–1932) is a pupil of the great virtuoso Ferenz Liszt, he taught in Berlin Conservatoire and served as a court pianist of the Duke of Weimar.
Many great pianists of all times played this Concerto, such as Arthur Schnabel, Solomon Cutner. Arturo Benedetti-Michelangeli, Mauritio Pollini, Claudio Arrau, Glenn Could, Alfred Brendel and many, many others. This edition is addressed to the students of Conservatoire, Colleges and senior music schools pupils.
Ljudvig van Betkhoven (1770–1827) — velikij nemetskij kompozitor, pianist, dirizher. Poslednij venskij klassik, avtor vsemirno izvestnykh simfonij, opery "Fidelio", kvartetov, tridtsati dvukh fortepiannykh sonat i mnozhestva drugikh sochinenij prakticheski vo vsekh muzykalnykh zhanrakh.
Betkhoven napisal pjat kontsertov dlja fortepiano s orkestrom.
Kontsert No. 3 do minor dlja fortepiano s orkestrom, op. 37, napisan v 1800 godu, vpervye ispolnen samim kompozitorom v 1803 (posvjaschen prusskomu printsu Luisu Ferdinandu).
Tretij kontsert Betkhovena prinadlezhit k chislu samykh ispolnjaemykh sochinenij etogo zhanra v mirovoj muzyke. On sozdan v rannij period tvorchestva. K tomu zhe 1800 godu otnosjatsja Pervaja simfonija, shest kvartetov soch. 18, 11-ja i 12-ja fortepiannye sonaty. Osnovnye dramaticheski-tragedijnye sochinenija kompozitora esche vperedi. No uzhe napisana, naprimer, 8-ja "Pateticheskaja" sonata c-moll. Tretij kontsert, sozdannyj v toj zhe tonalnosti, takzhe predveschaet tragedijnye kontseptsii zrelogo Betkhovena. Vo mnogom etomu sposobstvuet i svojstvennaja kompozitoru tendentsija k simfonizatsii zhanra kontserta, prevrascheniju ego iz kontserta-sorevnovanija v svoego roda simfoniju s obligatnoj solirujuschej virtuoznoj partiej. Eta tendentsija nashla bolee polnoe i tselnoe voploschenie v betkhovenskikh kontsertakh zrelogo perioda, a takzhe i v muzyke posledujuschikh epokh, vplot do sochinenij XX veka v etom zhanre.
Kontsert publikuetsja v redaktsii vydajuschegosja pianista, kompozitora i fortepiannogo pedagoga Ezhena D´Albera (1864–1932), uchenika Ferentsa Lista, v raznoe vremja sluzhivshego pridvornym pianistom Velikogo gertsoga Vejmarskogo i prepodavavshego v Berlinskoj vysshej shkole muzyki.
Tretij kontsert Betkhovena ispolnjali mnogie proslavlennye pianisty: Artur Shnabel, Solomon Katner, Arturo Benedetti Mikelandzheli, Mauritsio Pollini, Klaudio Arrau, Artur Rubinshtejn, Glenn Guld, Emil Gilels, Vilgelm Kempf, Alfred Brendel…
V kontserte tri chasti:
I. Allegro con brio
II. Largo
III. Rondo. Allegro
Izdanie rekomenduetsja studentam konservatorij, uchaschimsja muzykalnykh uchilisch, kolledzhej i starshikh klassov detskikh muzykalnykh shkol.
