Seeing as an active endeavour for the choreographer
Jana Unmüssig's doctoral research examines studio-based choreographic composition practice that focuses on seeing and visuality from the perspective...
The aim of this book is to offer perspectives on performance art practice with a focus on teaching. This subject has been rarely approached in the literature and this book gives insights and inspiration...
This book examines the often-posited opposition between dance improvisation and choreography, despite the emergence in the last fifteen or twenty years of an all-encompassing, expanded notion of choreography....
This collection of texts reflects some of the different discourses, practices and approaches that were explored by the participants of the Erasmus Intensive Project (IP) Practicing Composition: Making...
In today's visual regime, contemporary dance operates as a critical force. It questions univocal representations and dominant cultural ideals of the body. Developing alternative approaches to physical...
Östern tutki väitöskirjassaan tilanteita, jossa vammaiset, vammattomat, amatöörit ja ammattilaiset kohtasivat tanssi-improvisaatioprojektissa. Hän tulkitsi, mitä projektin eri tanssijat kokevat, millä...
The Same Difference? introduces ethical and political issues related to the everyday practice of dance through the writings of nine dance artists, educators and scholars. Together the articles provide...
A Choreographic Mind began to take shape as I wrote out my thoughts in an attempt to make sense of the wall of difference I encountered on a move to Europe when I was in my forties. My efforts to untangle...
Ways of Knowing in Dance and Art addresses bodily knowledge and procedures in the field of dance art as they are understood by a number of dance artists, pedagogues and scholars. During the past decade,...
